Size Matters

Group exhibition featuring Allison Baker, Holly Harrison, Cassandra C. Jones and Coral Woodbury
July 20 - August 28, 2022

Opening Reception: Friday, August 5th from 5-8pm

Abigail Ogilvy Gallery is proud to present Size Matters, featuring gallery artists Allison Baker, Holly Harrison, Cassandra C. Jones, and Coral Woodbury. These four artists play with scale, quantity, and implicative imagery – sometimes subtle, sometimes overt. Size Matters is dedicated to the constituents; the parts that make up the whole; the pieces that come together to form something larger than the sum of its parts. Demonstrated by the materiality and thematic functions of the work, each artist engages with the idea of collective power in their own way. Embodied first individually, and then reinforced as a group, the exhibition is a force to be reckoned with in a way that aims to radiate the power of united women.


Allison Baker
Still Life of Lives Past and Present: propagation, 2022
Coloraid on coldpress paper
24 x 18 in.
Framed: 30.5 x 23.5 in.

Allison Baker
Still Life of Lives Past and Present: thirty fourth birthday commemorative poster, 2022
Coloraid on coldpress paper
24 x 18 in.
Framed: 30.5 x 23.5 in.

Allison Baker
Still Life of Lives Past and Present: Check your own pockets, 2022
Coloraid on coldpress paper
24 x 18 in.
Framed: 30.5 x 23.5 in.

Allison Baker
Still Life of Lives Past and Present: Sundays are for Cleaning, 2022
Coloraid on coldpress paper
24 x 18 in.
Framed: 30.5 x 23.5 in.

Allison Baker
Still Life of Lives Past and Present: nictorette on the bookcase, 2022
Coloraid on coldpress paper
24 x 18 in.
Framed: 30.5 x 23.5 in.

Cassandra C. Jones
Seven for Rose, 2016
Signed on front
Archival Inkjet on Cotton Rag
24 x 20 in.
Ed. 1 of 2

Coral Woodbury
Polina Rayko, 2022
Stamped on recto
Sumi ink on book page
11.375 x 8.625 in.

Holly Harrison
Murmur Over the Green, 2021
Signed on verso
Mixed media and found papers on wood panel
30 x 62 in. (Each panel: 30 x 20 in.)

Cassandra C. Jones
Creeping Devil, 2019
Archival Ink Jet on Cotton Rag Pearl
26 x 18 in.
Ed. 1 of 2
SOLD

Cassandra C. Jones
Rara Avis, 2017
Signed on front
Archival Inkjet on Cotton Rag
40 x 40 in.
Ed. 1 of 2

Coral Woodbury
Marie Bashkirtseff, 2022
Stamped on recto
Sumi ink on book page
11.375 x 8.625 in.

Holly Harrison
Snowy Day Murmur, 2021
Signed on verso
Mixed media on Arches paper, framed
22 x 30 in.
Framed: 25 x 33 x 1.5 in.

Cassandra C. Jones
Double Barrel, 2019
Archival Ink Jet on Cotton Rag Pearl
30 x 20 in.
Ed. 1 of 2
SOLD

Coral Woodbury
Eileen Agar, 2022
Stamped on recto
Sumi ink on book page
11.375 x 8.625 in.

Holly Harrison
True Blue, 2022
Mixed media and found papers on wood panel
36 x 60 in.

Cassandra C. Jones
Golden Torch, 2019
Archival Ink Jet on Cotton Rag Pearl
30 x 18 in.
SOLD

Coral Woodbury
Clementine Hunter, 2022
Stamped on recto
Sumi ink on book page
11.375 x 8.625 in.

Holly Harrison
Over the Red Earth, 2022
Mixed media and found papers on wood panel
36 x 60 in.



Allison Baker earned her MFA in Sculpture from the Rhode Island School of Design, a BFA in Sculpture and BA in Gender Studies from Indiana University. Her work investigates hegemonic femininity as a site of transgression and resistance. Allison clawed her way into higher education with a thesaurus and words she cannot pronounce; currently, she is an Assistant Professor of Sculpture and Studio Art at Hamline University where she tries to impart some knowledge of finesse, persuasion, and manual labor.

Holly Harrison lives and works in Concord, MA. She received an MA in creative writing from The City College of New York and a BA from Wesleyan University. Her artwork has been featured at galleries and museums throughout the country and is held in private and corporate collections nationally and internationally. Additionally, she has curated two well-received shows at the Concord Center for the Visual Arts, where she was subsequently invited to join the Board of Trustees.

Cassandra C. Jones was born in Alpine, TX (USA) in 1975 and lives and works in Ojai, CA. She is a graduate of Carnegie Mellon University with an MFA in Interdisciplinary Fine Arts and received her BFA from California College of Arts with a concentration in Photography/Glass. Jones has been awarded artist residencies in Germany, the Czech Republic, Canada, and across the United States, and her work has been exhibited both throughout the United States and in Europe. Select recent exhibitions include: Digital Worlds: New Media from the Museum’s Collection, Museum of Fine Arts Houston, Houston, TX (2018), The Awakening, Abigail Ogilvy Gallery, Boston MA (2017), Ritual and Desire, Wichita Art Museum, Wichita, KS (2017). She has received several awards and residencies, including the Egon Schiele Art Centrum, Drake Hotel Artist Residency, Invitational, Toronto, Canada (2006), and the Vira I. Heinz Endowment awarded by the Virginia Center of Creative Arts (2004).

Coral Woodbury is an historian and as an artist who critically reinterprets Western artistic heritage from a feminist perspective, bringing overdue focus and reverence to the long line of women artists who worked without recognition or enduring respect. Her work reclaims space for them, bringing women together across time and place in art that recasts and re-crafts the story of art. Coral has long worked internationally, beginning with a residency in Italy with Rosenclaire, her mentors for 30 years. She has been honored with a grant from the U.S. National Endowment for the Humanities, and has exhibited at Opening Press Week of the 58th Venice Biennale, the Taragaon Museum in Kathmandu, and in the unsanctioned #00Bienal de la Habana in Cuba. In 2020 her work was selected for Area Code art fair.