Press Release: A Romance Of...

A Romance Of...
Cathy Della Lucia | Elspeth Schulze
Curated by Leah Triplett Harrington and Mallory Ruymann

January 5, 2023 – February 12, 2023
Opening Reception: Friday, January 6, 2023 from 6:00 to 8:00 PM

Cathy Della Lucia, Life Saving Device, 2022. Plywood, hardwood, porcelain, Wilson overgrip, milk paint. 33 x 24 x 20 in.

Elspeth Schulze, Paired Split Arch (graine à voler), 2022. Birch plywood, Flashe vinyl paint, leather. 47 x 23.5 x 1 in.

Abigail Ogilvy Gallery is pleased to present A Romance Of…, a two-person exhibition co-organized by Boston based curators Leah Triplett Harrington and Mallory Ruymann.

A Romance Of... explores the allure of wood in the practices of Cathy Della Lucia (Boston, Massachusetts) and Elspeth Schulze (Tulsa, Oklahoma). Approaching the material with care, Della Lucia and Schulze perform a love affair in their studios. In their tender hands, aided by chisels, saws, and progressive carving technologies, wood undergoes a metamorphosis. Suggesting artificial and biological forms, Della Lucia and Schulze’s works appear porous and fibrous, allowing expansion and contraction; breathing, as if a body. Wood is romanced into mimetic forms, coming alive to possibility of fleshy feeling, both hard and soft.

This exhibition centers on Romance as a curatorial thematic through which to explore the practices of Della Lucia and Schulze. Romance implies an object of affection through and alongside which we transform ourselves. Artmaking always involves an element of metamorphosis: paint, ceramics, ink, ideas—the materials of art shift in process, becoming something greater than what they were. Perhaps more so than other materials, wood possesses an untouchable formal agency in both its natural and human-altered states. Of nature and with potential to appear artificial; seemingly still and static yet constantly swelling and dispelling moisture; living, even after its death. Brimming with contradictory qualities, wood as a medium is anything but generic. The ineffability of wood offers a seductive proposition to artists concerned with materiality.

Together, these two artists embrace all the qualities of wood, carving new paths into the medium’s possibilities. A Romance Of… presents these artists together for the first time.

Programs will run through the duration of the exhibition and will include:

• First Friday Opening Celebration: Friday, January 6, 5-8 pm
• Instagram Live Exhibition Tour @abigailogilvy feat. Cathy Della Lucia: Saturday, January 21, 2-3 pm
• First Friday Closing Celebration: Friday, February 3, 5-8 pm
• In-Person Exhibition Panel moderated by Alison Croney Moses: Saturday, February 4, 2-3 pm
• Instagram Live Exhibition Tour @abigailogilvy feat. Elspeth Schulze: Sunday, February 5, 2-3 pm

Cathy Della Lucia, Spirit Amnesia, 2022. Plywood, hardwood, English porcelain, glaze, stain. 52 x 19 x 16 in.

About the Artists

Touch is a method for Cathy Della Lucia, though her hand is often imperceptible in her wood and clay-based works. Her sinewy, elongated forms, or more curving, thickset shapes, are crafted by gently fashioning these familiar materials into the abstract. Clay and wood are dynamic, remembering how they are touched, but also affected by their intrinsic and extrinsic conditions. Touch—of one element to another—also characterizes her use of modularity; all of her works join at multiple points that follow their own logic. This joinery is pointedly not permanent, with each connection following a pattern of uncertainty and precarity, but nevertheless achieving a delicate and determined settling. The individual elements of the whole, therefore, come together as one through touch, affecting each other for as long as the work remains.
Della Lucia received an MFA in sculpture from Boston University. She has recently exhibited at Piano Craft Gallery (Boston, Massachusetts), Able Baker Gallery (Portland, Maine), and internationally at Ara Art Center (Seoul, Korea) and Art Copenhagen (Copenhagen, Denmark).

Elspeth Schulze, Split Circle (graine à voler), 2022. Birch plywood, Flashe vinyl paint, stoneware with underglaze, gypsum cement, mason stain. 36 x 36 x 1.25 in.

Elspeth Schulze's process is one of porosity, hybridity, remembering, and mixing of form, material, and color. Schulze’s dimensional work is seemingly purely abstract, but deep looking reveals its dialogue with natural and architectural motifs. Schulze carefully controls the natural propensities of her chosen materials: clay, paper, mesh, fabric, and baltic birch plywood, working to manipulate its natural propensities. Often using a literal as well as a metaphorical frame, Schulze nevertheless accedes to her materials, blending her hand with their essential qualities.

Schulze has an MFA in ceramics from the University of Colorado, Boulder, and is currently artist-in-residence at the Tulsa Artist Fellowship in Tulsa, Oklahoma. Her work has most recently been exhibited at the University of Colorado Art Museum (Boulder, Colorado), Oklahoma Contemporary (Oklahoma City, Oklahoma), RedLine Art Center (Denver, Colorado), and Spring/Break NY.

About the Curators

Mallory Ruymann is a curator, art advisor, and art historian working with emerging artists in all media. She is the Managing Partner of art_works, an art advisory partnering with individuals and companies to build significant collections of contemporary art through a mission-driven lens. Her writing can be found in academic journals and local publications, including Big, Red & Shiny, The Rib, and Boston Art Review.

Leah Triplett Harrington is a curator, writer, and editor. As curator for Now + There, she facilitates the Public Art Accelerator and organizes large-scale public art commissions. She is also editor-at-large for Boston Art Review. Her writing has most recently appeared in that publication as well as ArtNet News, Sculpture, Public Art Dialogue, Flash Art, Hyperallergic, The Brooklyn Rail, and others. As an independent curator, she has organized projects for Boston University Art Galleries, Trestle Gallery, Herter Gallery, and others. In 2021, she was the inaugural curatorial mentor for Praise Shadows Art Gallery and taught in the MFA program in Painting at Boston University.

Highlights from the Boston Art Book Fair

Earlier this month we participated in the 2022 Boston Art Book Fair put on by the Boston Center for the Arts. It was an exciting opportunity to explore the galleries, artists, collectives, and creatives in our city. Check out some of our favorite booths we saw:

Boston Art Review

The Boston Art Review brought an assortment of issues to purchase. It was wonderful to see AOG artist Pelle Cass’ work featured at another booth at the Book Fair. Cass’ photograph is featured on the cover of Issue 03: Tracing Movement.

bostonartreview.com
Instagram: @bostonartreview

View of the booth for the Boston Art Review in the Cyclorama at the Boston Center of the Arts.

Praise Shadows Art Gallery

Praise Shadows had a mix of books, posters, and other art objects to check out. We were excited to see one of our new favorite books, Designing Motherhood, out on the booth’s spread. It was a great opportunity of visitors to get a taste for what this growing gallery has to share with the Boston art community.

praiseshadows.com
Instagram: @praiseshadowsart

View of the booth for Praise Shadows Art Gallery in the Cyclorama at the Boston Center of the Arts.

Institute of Contemporary Art, Boston

The ICA Boston had a selection of prints, books, and merchandise to choose from. We loved checking out the current exhibition book, To Begin Again: Artists and Childhood. The work of Barbara Kruger and Dr. Woo were showcased on apparel, as well as prints of Jordan Nassar’s work that is currently on view in the exhibition Jordan Nassar: Fantasy and Truth.

icaboston.org
Instagram: @icaboston

View of the booth for the Institute of Contemporary Art, Boston in the Cyclorama at the Boston Center of the Arts.

Adri Tan

It was great getting to chat with Tan about their process and learn more about their work. Tan uses portrait photography to explore identity and authority of self. Digital textile patterns are created by restating the body into repeating patterns in the zine, I Objectify Myself to Subvert Your Gaze. The textile becomes an object, allowing for the portraits of the artist’s East Asian models to reject the stereotypes and to yield autonomy of themselves. In another zine, Fashioning a Sense of Self, Tan's photographs reclaims and explores the identities of women and non-binary people of color by allowing the models to wear what they felt most themselves in. We can’t wait to see what else they will be working on next!

adriannatanphotography.com
Instagram: @atangerinee

View of Adri Tan’s booth in the Cyclorama at the Boston Center of the Arts.

Paige Mehrer at Plum Press

We are delighted by the work of Paige Mehrer of Plum Press. Her whimsical images are enchanting and there mystical blues and purples of her palette drew us in!

paigemehrer.com
Instagram: @paigemehrer

View of Paige Mehrer’s section of the Plum Press booth in the Cyclorama at the Boston Center of the Arts.

Kareem Worrell

We got to have an engaging conversation with photographer Kareem Worrell about his photograph and practice. At his booth he presented the zine, Passenger, which features Polaroids from the passenger seat of a pivotal road trip he took at the beginning of his career. He told me that he had lost the photographs from the trip for over 15 years, but thought of them often. This body of work inspired a new series call Lonely Highway that documents views from the passensger seat once again. His book, Mile Marker, is a part of the ongoing he was selling at the fair. The book showcases seventeen years worth of images that capture the ever-changing landscapes and unique atmosphere that only occurs on the open road.

kareemworrell.com
Instagram: @kareemworrellphoto

View of Kareem Worrell’s booth in the Cyclorama at the Boston Center of the Arts.

We were thrilled to exhibit three of our represented artists: Pelle Cass, Cassandra Jones, and Kristina McComb, alongside these talented creatives in Boston. It was a great opportunity for us to connect with our Boston community in a way we had not done before, and the whole team felt excited and energized by the fair - we are so grateful for all of the amazing visitors we had. Through a collection of prints, books, and small sculptural work, we showcased new and returning work by each artist: prints by all three artists gained excitement while Cass’ and McComb’s newly released books were a hit. The remaining inventory is still available for purchase on the buy now page for the fair.

Gallery intern Lauren Hill and Assistant Director Kaylee Hennessey at the booth

Press Release: Coming Home

Coming Home
November 2, 2022 – December 18, 2022
Abigail Ogilvy Gallery, 460C Harrison Avenue, Boston, MA

Featuring: Hillary Babick, Brendan John Carroll, Sunny Moxin Chen, Alexandra Chiou, Hilary Doyle, Ana Maria Farina, Andrew Fish, Max Heiges, David Heo, Lavaughan Jenkins, James Johnson, Abbi Kenny, DaNice D. Marshall, Meghan Murray, Aliyah Salmon, Elspeth Schulze, Ezara Spangl, Leigh Suggs, Gus Williams, and Helena Wurzel.

Abigail Ogilvy Gallery is proud to present Coming Home, a group exhibition curated to showcase a wide range of interpretations of home: home as space with close friends; a sacred place alone outdoors; holidays with a house filled with family shouting; a simple evening dinner with a partner; an unhappy sentiment; returning to a home country that is an ocean away; a familiar smell; anger & frustration; new beginnings, and so much more. The artists featured represent many different media, disciplines, and ideas, and come together to form a full picture of the rich variety in contemporary art today.

Hillary Babick
Sunday Night in Soho (Tom), 2022
Oil on canvas
24 x 18 in.

Hillary Babick (b.1989, Dallas, Texas) is a Boston based painter. She received her BFA from Boston University in 2011 and the Arts and Business Council of Greater Boston recognized her as a 2021 finalist for the Walter Feldman Emerging Artist Fellowship. Her oil and gouache paintings of friends, family, and strangers from instagram explore private vs. public personas and daily life. She is interested in how we behave when no one is watching and when we know we are being watched. Taking inspiration from genre painting and social media, she explores moments that deserve closer consideration and presses pause on rapid media consumption to examine our motivations and beauty in the everyday. Her work is held in private collections across the country.

Brendan John Carroll earned a Bachelor’s degree at Providence College, where he studied psychology and art. After graduation, he moved to New York City to develop as a painter while also working at Columbia University’s Division of Neuroscience. He received an MFA from the Maryland Institute College of Arts in 2011. Carroll’s paintings have been shown in galleries in Baltimore, New York, Atlanta, Dallas, Milwaukee, and Sweden. His art is included in the permanent collection of the High Museum of Art and Museum of Contemporary Art of Georgia. Carroll lives and works in Guilford, Connecticut and Greenpoint, Brooklyn.

Sunny Moxin Chen (b.1996, Moscow) is a multi-disciplinary artist who currently lives and works in Boston, MA. She received her MFA in Painting from Boston University in 2022 and a BFA in Painting & Studio for Interrelated Media from the Massachusetts College of Art & Design. She has shown her work recently at the Distillery Gallery in Boston and the Erie Museum in PA, among other galleries in the US. She was selected for the national curated show at Main Street Arts (Clifton Springs, NY, 2022) and won the Best in Show Award.

Alexandra Chiou
Your Favorite View, 2022
Ink and cut paper
21 x 15 in.
Framed: 29.5 x 23.25 x 2.25 in.

Alexandra Chiou (b. Richmond, VA) is a Visual Artist based in Cambridge, MA who draws on nature and memory to create layered works on paper that celebrate the life of her late father. After his recent passing, she looked to positivity and gratitude to cope and find healing. Her latest works give physical form to abstract feelings such as hope, love, joy, resilience, and wonder, all of which defined his amazing life. She hopes that viewers may find peace, calm, and beauty in her work no matter the challenging times or life transitions they may be going through. Her work has been exhibited at venues including Hillyer Art Space (Washington, DC), Launch LA (Los Angeles, CA), Newport Art Museum (Newport, RI), Weatherspoon Art Museum (Greensboro, NC), and the US Embassy in Ethiopia (Addis Ababa, Ethiopia).

Hilary Doyle (b. 1985, Worcester, MA) received her MFA from the Rhode Island School of Design, where she has since joined the faculty after holding teaching positions at both Brown University and Purchase College. Her paintings begin with simple observations of day-to-day life. The scenes she portrays may seem mundane—a woman walking in the rain, holding a newborn baby, or commuting home on the subway—yet Doyle offers glimpses into the inner lives of her subjects through her deft use of color and the subtle nuances of body language. She has exhibited her work internationally, including at galleries in London and New York, and was an artist in residence at MASS MoCA in 2017.

Ana Maria Farina (b. 1989, Sao Paulo, Brazil) is currently based in the Hudson Valley, NY and paints using a tufting gun along with needles, hooks, and knots. Repurposing a phallic signifier of violence, she conjures vibrant objects of comfort that inhabit a mystical pictorial space between abstraction and representation. She attended Columbia University and SUNY New Paltz for her graduate studies, and in 2018 she was awarded a fellowship to the NYFA Immigrant Artist Mentoring Program. Her work has been featured in many spaces throughout New York such as the SPRING/BREAK Art Fair, the Wassaic Project, the Garrison Art Center, the Dorsky Museum, Paradice Palase, Susan Eley Fine Art, among others.

Andrew Fish is a painter and printmaker based in Boston, MA. He grew up in Bristol, VT and studied at the School of Visual Arts in NYC. His work explores the intersection of abstraction and representation, using the figure to investigate contemporary society and personal experience. He has attended several artist residencies including the VT Studio Center, Manship Artists Residency + Studio (Gloucester, MA), Red Gate Gallery (Beijing, China), and Mass MoCA’s Assets for Artists Residency. His work has been exhibited in solo and group shows nationally and internationally including The Painting Center (NYC), Childs Gallery (Boston), Artzu Gallery (Manchester, UK) and Addison Ripley Fine Art (Washington, DC.)

Max Heiges (b. 1988, San Francisco, California) is a sculptor who lives and works in Brooklyn, NY. After graduating from Dartmouth College in 2010, the artist worked as a studio assistant to the painters Chris Martin and Joe Bradley, eventually transitioning to the metal shop-oriented studio of sculptor Carol Bove. The artist currently operates a metal shop fabricating metal works for other artists as well as focusing on his own practice.

David Heo (b. 1992, Acworth, Georgia) received his MFA in 2018 at the School of the Art Institute of Chicago. He creates artwork that flirts with a variety of genres, including large-scale paintings, works on paper, mural paintings, and brand collaborations. Heo employs elemental materials – acrylic, paper collage, and crayon – to create an intricate interlacing of layers. Through his many influences, such as short stories, Cy Twombly, and anime, Heo intimately improvises between abstraction and biography which synthesizes his lived experiences.

Lavaughan Jenkins (b. 1976 Pensacola, FL) is a painter, printmaker, and sculptor currently working in Boston, MA. He received a BFA from the Massachusetts College of Art and Design in 2005. In 2019 Jenkins was awarded the James and Audrey Foster Prize by the Institute of Contemporary Art / Boston. In 2016, he was named Emerging Artist of the year at Kingston Gallery in Boston, MA, Jenkins is a recipient of the 2015 Blanche E. Colman Award and in 2002 received the Rob Moore Grant in Painting. He has exhibited his work most recently at venues such as Vielmetter Los Angeles, Abigail Ogilvy Gallery (Boston), The Painting Center (NY), Suffolk University Gallery (Boston), and Oasis Gallery (Beijing). His work is in the permanent collection of the Museum of Fine Arts, Boston and the Institute of Contemporary Art, Boston.

Abbi Kenny
Driving Home for a Big Fish, 2022
Signed on verso
Acrylic, molding paste, yupo collage, and glass beads on panel
30 x 24 in.

James Ming Johnson was born in Bangkok, Thailand and raised in Southern California. His work focuses on historical events and eras, and how we tell stories about our own history. He holds a BA in Film and Media Studies from Stanford University and is currently attending the MFA painting program at the Rhode Island School of Design.

Abbi Kenny (b. Boston, MA) is an emerging artist and painter living and working in Boston, MA. She is an MFA candidate in painting at Boston University’s College of Fine Arts. She received her BFA with honors in painting and a concentration in the Theory and History of Art and Design from the Rhode Island School of Design in 2020. After completing her undergraduate degree, she worked in the Nicholson File Artist Studios in Providence, RI, until moving to Toronto, Canada, in August 2021, then to Boston. Abbi has received the Royal Drawing School’s Dumfries House Estate drawing residency and grant near Cumnock, Scotland, and participated in RISD's European Honors Program in Rome, Italy. In 2022, she was awarded the Elizabeth Greenshields Foundation Grant in painting. Her work has been exhibited in group exhibitions across New England and New York.

DaNice D. Marshall (b. Boston, MA) paints Black Portraiture art, as much to record ordinary activities of African American life, as to show the viewer that we all can laugh and have moments of joy. Six years ago, a rare illness left her unable to write and so she began painting the stories that she wanted to tell. She uses paint to mix metaphors and dabble in the richness of color to add syntax to the incomplete sentences and dangling modifiers, also known as the elements of style. To that end, she is a writer who paints.

Meghan Murray
Sun' Flowers can Bloom in Shady Places, 2022
Oil on handmade paper
9.5 x 12.5 in.

Meghan Murray is an emerging artist based in New England. Born and raised in Massachusetts, Murray has been passionate about artmaking since childhood. After graduating cum laude from Skidmore College, she completed a year-long Emerson Umbrella residency in Concord, MA. Murray then began work as an art educator while maintaining a rigorous independent studio practice. In 2022, she received her MFA in Painting from Boston University. Her most recent work is a continued investigation into intergenerational American ideals and clichés as viewed in the mid-century family photo album. Murray’s fascination with nostalgia and sentimentality continues to be integral to the work.

Aliyah Salmon is a multidisciplinary textile artist, currently residing in Brooklyn. She attended Savannah College of Art and Design and received her Textile Design BFA in 2018. Her studio practice explores the playful relationships between color, form, and black identity through a variety of tactile mediums.

Elspeth Schulze (b. 1985 Grand Coteau, Louisiana) is a Visual Artist from Southern Louisiana, a place where land and water meet. She sews, casts and cuts forms, combining digital fabrication with ceramic and textile processes. Recent work explores the idea of a porous place, a passage between one thing and another. Schulze holds an MFA in Ceramics from the University of Colorado Boulder, a BA in Literature from Loyola University New Orleans, and an AAS in Fashion Design from the Fashion Institute of Technology in New York. She is currently an artist in residence at the Tulsa Artist Fellowship in Tulsa, Oklahoma.

Ezara Spangl is a painter living in Vienna, Austria. She holds an MFA from the School of the Art Institute of Chicago and a BA from Oberlin College. She co-curates the Artist Lecture Series Vienna program and its publications. Solo exhibitions of her work have also been held at Song Song, Vienna; Skestos Gabriele Gallery, Chicago; and Devening Projects, Chicago. She has been included in group exhibitions at Essex Flowers, New York; Ve.sch, Vienna; and Mauve, Vienna. Publications of her work include Black Pages and Moby Dick Filet.

Leigh Suggs (b. in Boone, NC) is currently based in Richmond, VA. She received her BFA from the University of North Carolina, Chapel Hill in 2003 and her MFA from the Virginia Commonwealth University in 2015. Her recent shows include a three person show at The Visual Arts Center in Richmond “I >< YOU >< WE” (2018-2019), a two person show at Penland Gallery Conversation | Unspoken Language (2016), and several solo shows this year including Hurry Slowly at Second Street Gallery (VA), TOAST at Massey Klein Gallery (NYC), Keep Coming Round at Reynolds Gallery (VA), and Pushing Edges Rounding Corners at Cole Pratt Gallery (LA). Suggs has been awarded several grants and honors, including the Virginia Museum of Fine Arts Fellowship Award and the North Carolina Fellowship Award. Her work is a part of the Virginia Museum of Fine Arts and Weatherspoon Museum collections and numerous corporate collections.

Gus Williams
Moving Boxes (Stack), 2022
Shingles/ Clapboards, plywood, trim board, card board boxes, house paint
68 x 22.25 in.

Gus Williams is from a family of house flipping hobos always looking for the next train to nowhere in particular. Throughout his life his family has spent more time fixing up and moving out than moving in. By the time he got to 12th grade he had already been in 14 different schools. Never having the patience for drawing or the steady hand for painting Gus discovered he could create sculptures and concepts out of the very materials he was handling on a daily basis. By combining universal household objects with the materials and processes used to build houses, Gus found a method of communicating concepts that were relatable to him as well as others.

Helena Wurzel is an award-winning painter, educator, wife, and mother living and working in Cambridge, MA. She received an MFA in Painting from Boston University in 2007. She has won Massachusetts Cultural Council Grants in 2010 and 2016, and currently works non-exclusively with independent art dealers BK Projects and Carrie Coleman Fine Art. From 2014-2022 Helena taught drawing and painting at Buckingham Browne & Nichols Upper School in Cambridge, MA, as well as running their art gallery.












Announcement: Boston Art Book Fair

Abigail Ogilvy Gallery is pleased to announce our first year of participation in the Boston Art Book Fair. The event is located in the historic Cyclorama of Boston’s South End neighborhood. The fair will showcase local Boston artists, creators, and businesses to connect Boston with the national art community, and facilitate connections between Boston creatives and prospective publishing partners.

Dates: November 4-6, 2022
Friday Eve Ticketed* Preview Party (preview offerings, dance party, film screening, food & drinks): 6pm-9pm
*Tickets are $30 and can be purchased here.
Saturday: 12pm-7pm: Free and open to the public
Sunday: 12pm-5pm: Free and open to the public
More details: https://bostonartbookfair.com/

Pelle Cass, “Thalia Beach Friday No. 2,” 2019, Ink print on heavy matte, 13 x 19 in. (Ed. of 15) 24 x 36 in. (Ed. of 10) 40 x 60 in. (Ed. of 3)

Abigail Ogilvy Gallery is pleased to present three of our represented artists at the Boston Art Book Fair: Pelle Cass (Brookline, MA), Cassandra Jones (Ojai, CA), and Kristina McComb (Gill, MA). We look forward to sharing an array of books, prints, and art objects by each artists. These artists share a special interest in the message produced by the relationships in their images. Along with this common curiosity, Cass, McComb and Jones each bring new life to their medium by combining traditional photography with a contemporary lens.

Pelle Cass constructs his compositions using a large collection of photographs taken from the same angle. He does not manipulate the original photography other than deciding which objects to omit and keep, and each component of the photograph remains in its same location in the overall composition. These choices produce an image conveying a sense of chaos and the passing of time. At the Boston Book Art Fair, Abigail Ogilvy Gallery will be presenting his new book “Pelle Cass” alongside prints from his series, Crowded Fields.

Cassandra Jones, “Lemon Ball,” 2019, Archival Ink Jet on 100% Cellulose, 24 x 20 in

Kristina McComb, “Boston Atheneum 2040,” 2021, Photograph - framed, 9 x 6 in, 36 x 24 in, 42 x 28 in

Cassandra Jones takes a different approach to the idea of repetition by collecting and collaging mostly found photographs into a work that comments directly on contemporary society. Their digital photography tells stories of a prismatic reflection of our self-involved, technology-based, snap-happy contemporary lifestyle. Their work will be available as prints at the Boston Art Book Fair.

Kristina McComb’s work explores the passing of time, similar to Pelle Cass’s images, as well as the relationships created from light, line, and texture. Differing from the work of Jones and Cass, McComb does not alter the objects in her images, simply capturing the existing in a striking composition. Her practice focuses on the intersection of photography and sculpture. At the show, we will be exhibiting her photographs from her ongoing series featuring the Boston Athenæum in addition to her most recent publication “An Archive of Time: A Life Lived in the Boston Athenæum” .

For more information about the Boston Art Book Fair, please click here.